In preparation:
The Converted Image: Early Modern Pilgrimage and the Sacro Monte of Varallo. Book manuscript.
“Screening Sculpture: animation, embodiment, and vetriata at the Sacro Monte of Varallo.” Article in preparation for submission in 2019.
Forthcoming:
“Coming to Life at the Sacro Monte of Varallo: the sacred image ‘al vivo’ in post-Tridentine Italy” in Ad Vivum: visual materials and the vocabulary of life-likeness in Europe before 1800, eds. Thomas Balfe and Joanna Woodall (Leiden: Brill). In preparation, forthcoming 2019.
Recent publications:
“Alone at the Summit: solitude and the ascetic imagination at Varallo’s Mount Tabor” in Spaces, Places, and Times of Solitude in Late Medieval and Early Modern Cultures, eds. Christine Göttler and Karl Enenkel (Leiden: Brill, 2018), 336–363.
“Atomic Atopic: Piero Manzoni’s space-age subtext and the ‘ins and outs’ of the modern intellectual” in Breathless Days: 1959–1960, eds. Serge Guilbaut and John O’Brian (Durham, NC: Duke University Press, 2017).
“Falling (Asleep)” essay accompanying Scott Billings’s exhibition A Risky Jump. Vancouver, WAAP Gallery (2015), np.
“Behold the Man: Presenting Presence at the Sacro Monte of Varallo, ca. 1608” OBJECT: Graduate Research and Reviews in the History of Art and Visual Culture 16 (2014): 5–27.
“Felicity Powell: Charmed Life” OBJECT: Graduate Research and Reviews in the History of Art and Visual Culture 15 (2013): 53–55.
“The Lives (and Deaths) of Carolee’s Cats: intimate encounters, gentle transgressions, and incalculable ethics” C Magazine: International Contemporary Art 107 (2010): 6–11.